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dc.contributor.authorKeegan, James
dc.date.accessioned2022-10-24T12:10:14Z
dc.date.available2022-10-24T12:10:14Z
dc.date.issued1999
dc.identifier.issne-2530-8335
dc.identifier.urihttp://riull.ull.es/xmlui/handle/915/30340
dc.description.abstractSherman Alexie very deftly raises some of the complex issues related to the interplay of cultural assimilation and cultural preservation —or, more aptly, reservation— and he does so by way of the central theme of definition. After all, what makes for assimilation if not an agreement to assign the same meanings —the same definitions— to particular places and events? What makes for reservation but an unwillingness to accept or to offer alternative definitions, or, considering the externally enforced nature of the reservation for native Americans, a hegemonic disavowal of the viability of a particular set of definitions that does not match those maintained by the hegemony?en_EN
dc.format.mimetypeapplication/pdf
dc.language.isoenes_ES
dc.publisherServicio de Publicaciones. Universidad de La Lagunaes_ES
dc.relation.ispartofseriesRevista Canaria de Estudios Ingleses, Año 1999, n. 39, pp. 115-134;
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.title"Y'All Need To Play Songs for Your People": (P)reservation versus Assimilation and the Politics of White-Indian Encounter in Sherman Alexie's Fictionen_EN
dc.typeinfo:eu-repo/semantics/article
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses_ES
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersiones_ES


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