“A current under sea,” “Then spoke the Thunder” (2022). “The Waste Land (2022)

dc.contributor.author	Hunecke, Wolfgang
dc.contributor.author	Fortes, Carlos
dc.date.accessioned	2022-11-03T14:19:43Z
dc.date.available	2022-11-03T14:19:43Z
dc.date.issued	2022
dc.identifier.issn	e-2530-8335
dc.identifier.uri	http://riull.ull.es/xmlui/handle/915/30456
dc.description.abstract	This issue also includes a selection of artwoks by the German artist Wolfgang Hunecke and a digital collage by the Spanish artist and designer, professor at the University of Salamanca and curator of many exhibits, Carlos Fortes.	en_EN
dc.language.iso	en	es_ES
dc.publisher	Servicio de Publicaciones. Universidad de La Laguna	es_ES
dc.relation.ispartofseries	Revista Canaria de Estudios Ingleses, Año 2022, n. 85, pp. 251-253;
dc.rights	Attribution-NonCommercial-NoDerivatives 4.0 Internacional	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/4.0/	*
dc.title	“A current under sea,” “Then spoke the Thunder” (2022). “The Waste Land (2022)	en_EN
dc.title.alternative	“Una corriente submarina,” “Lo que dijo el Trueno” (2022). "La tierra baldía” (2022)	es_ES
dc.type	info:eu-repo/semantics/article
dc.identifier.doi	10.25145/j.recaesin.2022.85.17
dc.rights.accessRights	info:eu-repo/semantics/openAccess	es_ES
dc.subject.keyword	Artes visuales	es_ES
dc.type.hasVersion	info:eu-repo/semantics/publishedVersion	es_ES

Revista Canaria de Estudios Ingleses Año 2022, Número 85
The Waste Land: A Hundred Years Later / La tierra baldía: cien años después

Excepto si se señala otra cosa, la licencia del ítem se describe como Attribution-NonCommercial-NoDerivatives 4.0 Internacional