Anything That Burns You: The Social Poetry ofLola Ridge, Genevieve Taggard, and Margaret Walker

dc.contributor.author	Berke, Nancy
dc.date.accessioned	2022-11-09T10:43:20Z
dc.date.available	2022-11-09T10:43:20Z
dc.date.issued	1998
dc.identifier.issn	e-2530-8335
dc.identifier.uri	http://riull.ull.es/xmlui/handle/915/30500
dc.description.abstract	This essay explores the work of three neglected American women poets as well as suggests the importance of women’s social poetry as a neglected genre within modern American literary studies. It examines the continuum of a radical literary practice in the United States from the first through the second world wars as produced by the representative examples of Lola Ridge (1873-1941), Genevieve Taggard (1894- 1948), and Margaret Walker (1915-) whilst also maintaining how the social concerns expressed in these poets’ work can tell us much about national and international history as they witnessed it.	en_EN
dc.language.iso	en	es_ES
dc.publisher	Servicio de Publicaciones. Universidad de La Laguna	es_ES
dc.relation.ispartofseries	Revista Canaria de Estudios Ingleses, Año 1998 n. 37, pp. 39-53;
dc.rights	Attribution-NonCommercial-NoDerivatives 4.0 Internacional	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/4.0/	*
dc.title	Anything That Burns You: The Social Poetry ofLola Ridge, Genevieve Taggard, and Margaret Walker	en_EN
dc.type	info:eu-repo/semantics/article
dc.rights.accessRights	info:eu-repo/semantics/openAccess	es_ES
dc.type.hasVersion	info:eu-repo/semantics/publishedVersion	es_ES

Revista Canaria de Estudios Ingleses Año 1998, Número 37
Centered Revisions, Decentered Visions: Twentieth-Century American Women Poets

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