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"Prophets for a New Day": The Cultural Activism of Margaret Danner, Margaret Burroughs, Gwendolyn Brooks and Margaret Walker During the Black Arts Movement
dc.contributor.author | Boyd, Melba Joyce | |
dc.date.accessioned | 2022-11-09T10:48:56Z | |
dc.date.available | 2022-11-09T10:48:56Z | |
dc.date.issued | 1998 | |
dc.identifier.issn | e-2530-8335 | |
dc.identifier.uri | http://riull.ull.es/xmlui/handle/915/30501 | |
dc.description.abstract | This essay presents an aspect of literary history that heretofore has not been discussed. It illustrates how the personal interaction and activities of these women writers prior to the Black Arts Movement (1965- 1977) had direct bearing on the success of that cultural revolution. It also contextualizes this era relative to its historical circumstances and the interconnectedness of cultural periods that preceded it. This discussion considers the especial aesthetics and politics of each writer as well as their relationships to each other and other major literary figures of the time. | en_EN |
dc.language.iso | en | es_ES |
dc.publisher | Servicio de Publicaciones. Universidad de La Laguna | es_ES |
dc.relation.ispartofseries | Revista Canaria de Estudios Ingleses, Año 1998 n. 37, pp. 55-67; | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internacional | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.title | "Prophets for a New Day": The Cultural Activism of Margaret Danner, Margaret Burroughs, Gwendolyn Brooks and Margaret Walker During the Black Arts Movement | en_EN |
dc.type | info:eu-repo/semantics/article | |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | es_ES |
dc.type.hasVersion | info:eu-repo/semantics/publishedVersion | es_ES |
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Revista Canaria de Estudios Ingleses Año 1998, Número 37
Centered Revisions, Decentered Visions: Twentieth-Century American Women Poets