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dc.contributor.authorBoyd, Melba Joyce
dc.date.accessioned2022-11-09T10:48:56Z
dc.date.available2022-11-09T10:48:56Z
dc.date.issued1998
dc.identifier.issne-2530-8335
dc.identifier.urihttp://riull.ull.es/xmlui/handle/915/30501
dc.description.abstractThis essay presents an aspect of literary history that heretofore has not been discussed. It illustrates how the personal interaction and activities of these women writers prior to the Black Arts Movement (1965- 1977) had direct bearing on the success of that cultural revolution. It also contextualizes this era relative to its historical circumstances and the interconnectedness of cultural periods that preceded it. This discussion considers the especial aesthetics and politics of each writer as well as their relationships to each other and other major literary figures of the time.en_EN
dc.language.isoenes_ES
dc.publisherServicio de Publicaciones. Universidad de La Lagunaes_ES
dc.relation.ispartofseriesRevista Canaria de Estudios Ingleses, Año 1998 n. 37, pp. 55-67;
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.title"Prophets for a New Day": The Cultural Activism of Margaret Danner, Margaret Burroughs, Gwendolyn Brooks and Margaret Walker During the Black Arts Movementen_EN
dc.typeinfo:eu-repo/semantics/article
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses_ES
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersiones_ES


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