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dc.contributor.authorXiaojing, Zhou
dc.date.accessioned2022-11-09T13:18:27Z
dc.date.available2022-11-09T13:18:27Z
dc.date.issued1998
dc.identifier.issne-2530-8335
dc.identifier.urihttp://riull.ull.es/xmlui/handle/915/30510
dc.description.abstractThis paper examines the themes and technical strategies in the experimental poems by three 20th-Century Asian American women poets —Cathy Song, Trinh T. Minh-ha, and Kimiko Hahn— through close reading. While challenging Bloom’s theory of “poetic influence” and Anglo-American feminist theories for constructing an alternative tradition of women writers, my analysis considers the importance of the subject positionalities of gender, race, and ethnicity in shaping the poetics of Asian American women poets.en_EN
dc.language.isoenes_ES
dc.publisherServicio de Publicaciones. Universidad de La Lagunaes_ES
dc.relation.ispartofseriesRevista Canaria de Estudios Ingleses, Año 1998 n. 37, pp. 199-218;
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.titleBreaking from Tradition: Experimental Poems by Four Contemporary Asian American Women Poetsen_EN
dc.typeinfo:eu-repo/semantics/article
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses_ES
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersiones_ES


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