Breaking from Tradition: Experimental Poems by Four Contemporary Asian American Women Poets

dc.contributor.author	Xiaojing, Zhou
dc.date.accessioned	2022-11-09T13:18:27Z
dc.date.available	2022-11-09T13:18:27Z
dc.date.issued	1998
dc.identifier.issn	e-2530-8335
dc.identifier.uri	http://riull.ull.es/xmlui/handle/915/30510
dc.description.abstract	This paper examines the themes and technical strategies in the experimental poems by three 20th-Century Asian American women poets —Cathy Song, Trinh T. Minh-ha, and Kimiko Hahn— through close reading. While challenging Bloom’s theory of “poetic influence” and Anglo-American feminist theories for constructing an alternative tradition of women writers, my analysis considers the importance of the subject positionalities of gender, race, and ethnicity in shaping the poetics of Asian American women poets.	en_EN
dc.language.iso	en	es_ES
dc.publisher	Servicio de Publicaciones. Universidad de La Laguna	es_ES
dc.relation.ispartofseries	Revista Canaria de Estudios Ingleses, Año 1998 n. 37, pp. 199-218;
dc.rights	Attribution-NonCommercial-NoDerivatives 4.0 Internacional	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/4.0/	*
dc.title	Breaking from Tradition: Experimental Poems by Four Contemporary Asian American Women Poets	en_EN
dc.type	info:eu-repo/semantics/article
dc.rights.accessRights	info:eu-repo/semantics/openAccess	es_ES
dc.type.hasVersion	info:eu-repo/semantics/publishedVersion	es_ES

Revista Canaria de Estudios Ingleses Año 1998, Número 37
Centered Revisions, Decentered Visions: Twentieth-Century American Women Poets

Excepto si se señala otra cosa, la licencia del ítem se describe como Attribution-NonCommercial-NoDerivatives 4.0 Internacional