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dc.contributor.authorMartín González, Matilde 
dc.date.accessioned2022-11-10T11:10:36Z
dc.date.available2022-11-10T11:10:36Z
dc.date.issued1998
dc.identifier.issne-2530-8335
dc.identifier.urihttp://riull.ull.es/xmlui/handle/915/30554
dc.description.abstractMina Loy, a relatively unknown modernist American poet, has been rediscovered recently by feminist and non-feminist scholars. This essay deals with her poetry only in an indirect way, since its main purpose is to show the linking connections between her poetic credo, deployed in “Aphorisms on Futurism”, and her ideological standpoint regarding women’s issues of her time, which she discusses in her “Feminist Manifesto”. Both texts appear to be closely imbricated when we read her main poetic compositions and hear their echoes translated into the peculiar and original lyrical narratives she created. Intended as an introduction to the reading of her poetic output, the following text attempts to underline the theoretical keys necessary for the comprehension of the poems as a reflection of her vital and aesthetic experience as woman and artist.en_EN
dc.language.isoeses_ES
dc.publisherServicio de Publicaciones. Universidad de La Lagunaes_ES
dc.relation.ispartofseriesRevista Canaria de Estudios Ingleses, Año 1998 n. 36, pp. 193-214;
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.title'Aphorisms of Futurism' y 'Feminist Manifesto': Conjunción estética e ideológica en la poética de Mina Loyes_ES
dc.typeinfo:eu-repo/semantics/article
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses_ES
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersiones_ES


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