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dc.contributor.authorDíaz Bild, María Aída 
dc.date.accessioned2022-11-10T14:41:57Z
dc.date.available2022-11-10T14:41:57Z
dc.date.issued1997
dc.identifier.issne-2530-8335
dc.identifier.urihttp://riull.ull.es/xmlui/handle/915/30562
dc.description.abstractBakhtin, one of the leading thinkers and literary critics of the twentieth century, always defended the important role of laughter in the novel. For the comic mode nothing is eternal or stable, everything can and must be renewed. The notion of an absolute and indisputable truth is rejected. This explains why one of the main functions of laughter is to mock institutional mystiques and orthodoxies. The aim of this essay is to show that Pym’s novels are not trivial works of art, but irreverent and open-ended texts that destroy the mystique that surrounds the academic world in particular and other professions in general.es_ES
dc.language.isoeses_ES
dc.publisherServicio de Publicaciones. Universidad de La Lagunaes_ES
dc.relation.ispartofseriesRevista Canaria de Estudios Ingleses, Año 1997 n. 35, pp. 13-29;
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.titleEl poder desmitificador de la risa en las novelas de Barbara Pymes_ES
dc.typeinfo:eu-repo/semantics/article
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses_ES
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersiones_ES


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