| dc.contributor.author | Castro Sánchez, Miguel | |
| dc.date.accessioned | 2022-11-16T09:59:30Z | |
| dc.date.available | 2022-11-16T09:59:30Z | |
| dc.date.issued | 1996 | |
| dc.identifier.issn | e-2530-8335 | |
| dc.identifier.uri | http://riull.ull.es/xmlui/handle/915/30645 | |
| dc.description.abstract | We aim to answer the question of the relationship, rather than debt,
of Faulkner’s As I Lay Dying to some dramatic genres such as the Italian
Commedia dell’Arte, Ben Jonson’s comedy of humours and Sherwood
Anderson’s grotesques. To conclude finally that although there is
evidence of a certain amount of simplification and typification of the
characters on Faulkner’s hands they are nevertheless singular and individually
portrayed beings. | en_EN |
| dc.language.iso | es | es_ES |
| dc.relation.ispartofseries | Revista Canaria de Estudios Ingleses Año 1996, n. 32-33, pp. 207-215; | |
| dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internacional | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
| dc.title | Tipos, caricaturas y 'grotesques' en As I Lay Dying de William Faulkner | es_ES |
| dc.type | info:eu-repo/semantics/article | |
| dc.rights.accessRights | info:eu-repo/semantics/openAccess | es_ES |
| dc.type.hasVersion | info:eu-repo/semantics/publishedVersion | es_ES |