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El lenguaje de las novelas indostanas de Salman Rushdie
dc.contributor.author | Oliva Cruz, Juan Ignacio | |
dc.date.accessioned | 2022-11-18T09:12:52Z | |
dc.date.available | 2022-11-18T09:12:52Z | |
dc.date.issued | 1994 | |
dc.identifier.issn | e-2530-8335 | |
dc.identifier.uri | http://riull.ull.es/xmlui/handle/915/30693 | |
dc.description.abstract | Salman Rushdie’s famous hits, Midnight’s Children (1981) and Shame (1983), form part of a literature of richness in language and technical innovation that regenerated the English literature of the eighties. A study of the technique, vocabulary and literary figures, the importance of colours, numbers, and sensations, of parody and metaphor is made in this paper, to highlight the fireworks of a language of magic realism and political fancy and satire. | en_EN |
dc.language.iso | es | es_ES |
dc.relation.ispartofseries | Revista Canaria de Estudios Ingleses Año 1994, n. 28, pp. 23-40; | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internacional | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.title | El lenguaje de las novelas indostanas de Salman Rushdie | es_ES |
dc.type | info:eu-repo/semantics/article | |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | es_ES |
dc.type.hasVersion | info:eu-repo/semantics/publishedVersion | es_ES |