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dc.contributor.authorNaranjo Acosta, Isaías Leopoldo 
dc.date.accessioned2022-11-18T09:21:15Z
dc.date.available2022-11-18T09:21:15Z
dc.date.issued1994
dc.identifier.issne-2530-8335
dc.identifier.urihttp://riull.ull.es/xmlui/handle/915/30695
dc.description.abstractHanif Kureishi’s The Buddha of Suburbia fulfills two basic requirements. On the one hand, the novel works as a caleidoscope of British society at the end of the XXth century. It lets us have a look at such aspects racist violence, the birth and development of punk music, or the situation of theatre in London by the end of the 1970s, just to name a few subjects Kureishi deals with. On the other hand, The Buddha of Suburbia is an account of Karim Amir’s pilgrimage to find himself, bearing in mind he is a half-bred born in a split-up family in the middle of a society that is in a crisis.en_EN
dc.language.isoenes_ES
dc.relation.ispartofseriesRevista Canaria de Estudios Ingleses Año 1994, n. 28, pp. 53-63;
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.titlePilgrimage: Hanif Kureishi's The Buddha of Suburbiaen_EN
dc.typeinfo:eu-repo/semantics/article
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses_ES
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersiones_ES


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