Música Ficta, English Music y el impulso holístico de la literatura postcolonial/postmoderna

dc.contributor.author	Suárez Lafuente, María Socorro
dc.date.accessioned	2022-11-18T09:45:54Z
dc.date.available	2022-11-18T09:45:54Z
dc.date.issued	1994
dc.identifier.issn	e-2530-8335
dc.identifier.uri	http://riull.ull.es/xmlui/handle/915/30700
dc.description.abstract	New Zealand writer Ane Kennedy published Música Ficta in 1993; a year earlier English author Peter Ackroyd published English Music. Both are trying to link, through music, the different manifestations of humankind: history, literature and art, love, creativity and spirituality are only aspects of people’s efforts to come to terms with their entourage. By erasing the boundaries of time, space, gender and genre Kennedy and Ackroyd are able to play sameness and difference in the same note.	en_EN
dc.language.iso	es	es_ES
dc.relation.ispartofseries	Revista Canaria de Estudios Ingleses Año 1994, n. 28, pp. 127-138;
dc.rights	Attribution-NonCommercial-NoDerivatives 4.0 Internacional	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/4.0/	*
dc.title	Música Ficta, English Music y el impulso holístico de la literatura postcolonial/postmoderna	es_ES
dc.type	info:eu-repo/semantics/article
dc.rights.accessRights	info:eu-repo/semantics/openAccess	es_ES
dc.type.hasVersion	info:eu-repo/semantics/publishedVersion	es_ES

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