dc.contributor.author	Mora Sena, María José
dc.date.accessioned	2023-01-13T08:55:35Z
dc.date.available	2023-01-13T08:55:35Z
dc.date.issued	1990
dc.identifier.issn	e-2530-8335
dc.identifier.uri	http://riull.ull.es/xmlui/handle/915/31179
dc.description.abstract	The paper explores the development of English love poetry in the seventeenth century. Based on an analysis of three poems by Herrick, Marvell and Rochester, it will investigate how their respective renderings of the same theme (carpe diem) reveal a different conception of love and poetry, as well as a different view of the world. They all share as a common background the Petrarchan tradition of the Elizabethans, but deviate from it with an ironic attitude ranging from the trivial light- heartedness of Cavalier lyrics, to the dramatic intensity of the Metaphysics and, finally, the devastating cynicism of Restoration authors.	en_EN
dc.language.iso	es	es_ES
dc.relation.ispartofseries	Revista Canaria de Estudios Ingleses Año 1990, n. 21, pp. 165-177;
dc.rights	Attribution-NonCommercial-NoDerivatives 4.0 Internacional	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/4.0/	*
dc.title	"To Their Coy Mistresses": Tradición e innovación en la poesía amorosa de Herrick a Rochester	es_ES
dc.type	info:eu-repo/semantics/article
dc.rights.accessRights	info:eu-repo/semantics/openAccess	es_ES
dc.type.hasVersion	info:eu-repo/semantics/publishedVersion	es_ES

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"To Their Coy Mistresses": Tradición e innovación en la poesía amorosa de Herrick a Rochester