dc.contributor.author	Oliva Cruz, Juan Ignacio
dc.date.accessioned	2023-02-15T13:43:24Z
dc.date.available	2023-02-15T13:43:24Z
dc.date.issued	1989
dc.identifier.issn	e-2530-8335
dc.identifier.uri	http://riull.ull.es/xmlui/handle/915/31518
dc.description.abstract	The essay attempts to establish the figure of John Fowles as a parodie writer who, through pastiche and experiment, places himself as one of those so-called 'classic' postmodernist authors (like Doris Lessing or Angus Wilson in the sixties). They will influence a second generation of writers (like Salman Rushdie or D.M. Thomas) who use parody in a freer and more polemic way, in a decade that is beginning to be known as 'the golden time of imitation'.	en_EN
dc.language.iso	en	es_ES
dc.relation.ispartofseries	Revista Canaria de Estudios Ingleses Año 1989, n. 18, pp. 221-229;
dc.rights	Attribution-NonCommercial-NoDerivatives 4.0 Internacional	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/4.0/	*
dc.title	"Parodia y pastiche en la obra de John Fowles"	es_ES
dc.type	info:eu-repo/semantics/article	es_ES
dc.rights.accessRights	info:eu-repo/semantics/openAccess	es_ES
dc.type.hasVersion	info:eu-repo/semantics/publishedVersion	es_ES

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"Parodia y pastiche en la obra de John Fowles"