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dc.contributor.authorCruz, Juan José
dc.date.accessioned2023-09-08T07:22:59Z
dc.date.available2023-09-08T07:22:59Z
dc.date.issued1988
dc.identifier.issne-2530-8335
dc.identifier.urihttp://riull.ull.es/xmlui/handle/915/32894
dc.description.abstractThe aim of this article is to study Stephen Rojack, the main character of An American Dream (1964) inasmuch as the one that most successfully approaches the "hipster' upon whom Mailer had written "The White Negro" (1957). The biographical parallelism between the author and his character, the shortlived experience of the Kennedy era, Mailer's disappointment at what the sixties were coming to, etc., tell Rojack apart from the other Maileresque characters —so far does he achieve his role as metaphysical rebel.en_EN
dc.language.isoeses_ES
dc.publisherUniversidad de La Laguna. Servicio de Publicacioneses_ES
dc.relation.ispartofseriesRevista Canaria de Estudios Ingleses Año 1988, n. 16, pp. 21-40;
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.titleStephen Rojack, el último Hipsteres_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses_ES
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersiones_ES


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Attribution-NonCommercial-NoDerivatives 4.0 Internacional
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivatives 4.0 Internacional