The so-called Moved voices' by Robert Duncan play an important
role in his poetry and poetics. These voices come from his childhood
and are involved in mysteries that warp and weave hidden secrets.
Moreover, they permit the search for new meanings, associations, and
correspondences with psychoanalytic implications where the imagination is essential for the poet/creator. Through the language and the
dramatization of these voices, which may appear disguised as 'The
Master of Rime', the 'lion', or 'the woman who resembles the sentence',
we can notice a poetic course whose main premise is to find that song
with 'μєλos' to which the greeks and Carlyle also aspired.
