RT info:eu-repo/semantics/article T1 La alteridad bárbara: de las representaciones de lo fantástico en el románico al hombre salvaje del gótico final A1 Miranda, María Adelaide K1 Arte medieval K1 Manuscritos K1 Ilustraciones K1 Maravillas AB The medieval Christian society, strongly hierarchized, built a view of the world, where the Other is marginalized. In the Romanesque in Portugal, the alterity images are expressed in the fine arts through the illustration of the monster. The dragons, the mermaids and the centaurs play a place of subversion of the divine order. The wild man, whose representation scarces in the 15th century, became frequents in the burial sculpture and in the later gothics illuminated manuscripts. We want just to refer the demon, the dragons and the wild man wich rarely assume a character terrific as it is showed in another cultures. Most of this images are not aggressive, waking up a certain fascination for those who contemplate them.For this people that lived in the border or inside of the christian world, although scarce, the representations are centered in Arabian and Jew images. This Other appears in marginal positions and some them demonised, according the treatement of the artist of Lorvão Apocalypse, reflecting the anguish provoked by the advance Almóada. PB Universidad de La Laguna. Servicio de Publicaciones SN 1135-125X YR 2002 FD 2002 LK http://riull.ull.es/xmlui/handle/915/22260 UL http://riull.ull.es/xmlui/handle/915/22260 LA es DS Repositorio institucional de la Universidad de La Laguna RD 29-mar-2024