RT info:eu-repo/semantics/article
T1 Violence and Silence: Ken McMullen’s Partition and Gurinder Chadha’s Viceroy’s House
T2 Violencia y silencia: Partición, de Ken McMullen, y El último virrey de India, de Gurinder Chadha
A1 Ain, Sandip
K1 1947
K1 partición de India
K1 Ken McMullen
K1 Gurinder Chadha
AB The literary and cinematic representation of violence has always been problematic and hasinvolved ethical imperatives and rational understanding of an event that often defies logicalunderstanding. In this paper, I propose to deal with two films that directly engage with thepolitical negotiations that took place concerning the Partition of India and the cartographicviolence that ensued: Ken McMullen’s Partition (2007) and Gurinder Chadha’s Viceroy’sHouse (2017). The work compares the representations of the Partition in these two filmsto investigate whether the reparative or sentential aspect of cinema heal our memories orcompromise with the truth to connect with the audience.
PB Servicio de Publicaciones. Universidad de La Laguna
SN e-2530-8335
YR 2021
FD 2021
LK http://riull.ull.es/xmlui/handle/915/25536
UL http://riull.ull.es/xmlui/handle/915/25536
LA en
DS Repositorio institucional de la Universidad de La Laguna
RD 26-jun-2024