RT info:eu-repo/semantics/article
T1 Scourge of Hyacinths de Tania León y Wole Soyinka: la universalidad del discurso postcolonial
A1 Piñero Gil, Eulalia
A1 Piñero Gil, Cecilia
AB This paper discusses how Wole Soyinka’s radio play A Scourge ofHyacinths and Tania León’s opera Scourge of Hyacinths construct auniversal discourse characterized by the affirmation of their culturalidentities. Music and theater are fused in a work that combines the sociopoliticalconcerns of the postcolonial discourse through visual metaphorsand musical eclecticism. The multiculturalism of these renownedartists is articulated in an artistic symbiosis that criticizes the culturalpaternalism of the developed countries and the post-colonial politicalheritage. Tania León’s Scourge of Hyacinths is a paradigmatic exampleof how literature and music articulate the great aesthetic and politicalthemes of the fin du siècle.
PB Servicio de Publicaciones. Universidad de La Laguna
SN e-2530-8335
YR 1997
FD 1997
LK http://riull.ull.es/xmlui/handle/915/30586
UL http://riull.ull.es/xmlui/handle/915/30586
LA es
DS Repositorio institucional de la Universidad de La Laguna
RD 27-dic-2024