RT info:eu-repo/semantics/article
T1 Parodia y pastiche en la obra de D.M. Thomas
A1 Oliva Cruz, Juan Ignacio
AB Parody, nowadays defined in terms of textual imitation, ispresent on a major scale in contemporary British literature (Fowles,Bradbury, Lodge, Rushdie, Carter...). Together with pastiche —amultiparodical structure—, they both occupy their place inside themetafictive discourse of self-conscious novels. D.M. Thomas(Cornwall, 1935) goes a step further in his treatment of parody andbecause of that he has been accused of plagiarism, after publishingThe White Hotel. This essay tries to analyse this debate and studyboth parody and pastiche in his previous novels —The Flute-Playerand Birthstone— and, specially, in reference to The RussianQuartet (Ararat, Swallow, Sphinx, Summit), appeared from 1983 to1987.
PB Universidad de La Laguna. Servicio de Publicaciones
SN e-2530-8335
YR 1988
FD 1988
LK http://riull.ull.es/xmlui/handle/915/32873
UL http://riull.ull.es/xmlui/handle/915/32873
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DS Repositorio institucional de la Universidad de La Laguna
RD 24-nov-2024