RT info:eu-repo/semantics/article
T1 Tradiciones y traducciones la práctica musical femenina en De institutione foeminae christianae (1524), de Juan Luis Vives
T2 Traditions and translations: Female musical practice in Juan Luis Vives’ De institutione foeminae christianae (1524)
A1 Ramos López, Pilar
K1 Juan Luis Vives
K1 moralidad de la música
K1 Castiglione
K1 práctica musical de las mujeres
K1 religión
AB My aim is to know the representation of musical practice by women in the main cultural models addressed to the nobility and bourgeoisie. Firstly, I begin studying Juan Luis Vives’ thought on the morality of music as expressed in his Treatise on the Education of Women (1524). There is a radical difference between the Latin and the Spanish editions, as the latter were the only ones to ban the feminine practice of music.Secondly, I compare the model of Vives and the one proposed in Il Cortegiano (1528). Even though neither Vives’ nor Castiglione’s treatises took into consideration all the contexts where women made or listened to music in the Renaissance, studying two works of such an extraordinary diffusion proves particularly revealing about the musical activity of women.
PB Universidad de La Laguna. Servicio de Publicaciones
SN 1135-125X
YR 2015
FD 2015
LK http://riull.ull.es/xmlui/handle/915/4201
UL http://riull.ull.es/xmlui/handle/915/4201
LA es
DS Repositorio institucional de la Universidad de La Laguna
RD 22-dic-2024