Browsing Revista Canaria de Estudios Ingleses Año 2021, Número 83 by issue date

People’s cinema with people’s support: a review of the 7th Kolkata people’s film festival (Kolkata, India–January 2020)

Das, Santanu (2021)

Revolving Around India(s): Alternative Images, Emerging Perspectives. Edited by Juan Ignacio Oliva-Cruz, Antonia Navarro-Tejero and Jorge Diego Sánchez. (Newcastle upon Tyne: Cambridge Scholars Publishing, 2020, 313 pp. ISBN: 978-1-5275-4524-3).

Llano-Busta, Andrea (2021)

Gurinder Chadha’s Viceroy House (2017) and Other Evictions: Transnational Connections of Past and Present Crises in Cinema

Oliete-Aldea, Elena (2021)

Sexuality and Evil: Lady Macbeth in the Indian film adaptations of Macbeth Maqbool and Veeram

García-Periago, Rosa (2021)

Introduction

Diego Sánchez, Jorge; Oliva Cruz, Juan Ignacio

(2021)

Believe Me, Do not Believe Me: Jhumpa Lahiri and the Royal Family of Oudh

Moreno-Álvarez, Alejandra (2021)

From Punjab to Peggy’s Cove: Joyful Activism in Behind the Bhangra Boys (2019)

Bannerjee, Rohini (2021)

Violence and Silence: Ken McMullen’s Partition and Gurinder Chadha’s Viceroy’s House

Ain, Sandip (2021)

The Making of the film Bridge (2016): The Alchemic Process of Transforming Self and Society

Biswas, Amit R. (2021)

Bhavani Cinema

Diego Sánchez, Jorge (2021)

Revista Canaria de Estudios Ingleses, 2021, n.83

Oliva Cruz, Juan Ignacio

(2021)

Snapshots of Indian Otherness in Aparna Sen’s Cinema

Hand, Felicity (2021)

Kalighat

Oliva Cruz, Juan Ignacio

(2021)

Me, Sarbajaya

Mitra, Zinia (2021)

Anti-caste Aesthet(h)ics in Contemporary Dalit Cinema: The Case of Asuran (2019)

Herrero, Dolores (2021)

"Chitthi aayi hai”: Diasporic Sensibilities, Memory and Nostalgia

Daithota Bhat, Shilpa (2021)

New Narratives in the Indian LGBTIQ+ Community: An Interview with Film Maker Sukhdeep Singh

Ramos, Regiane Corrêa de Oliveira; Adrián-Hernández, Jairo (2021)

Browsing Revista Canaria de Estudios Ingleses Año 2021, Número 83 by issue date

Letting Fear Go: An Interview with Producer Paramita Banerjee

Origins and Evolution of Indian Cinema: A Caleidoscopic Vision of India

A Reading of Satyajit’s Pather Panchali and Agantuk as Subtexts of Fictional Ethnography

People’s cinema with people’s support: a review of the 7th Kolkata people’s film festival (Kolkata, India–January 2020)

Revolving Around India(s): Alternative Images, Emerging Perspectives. Edited by Juan Ignacio Oliva-Cruz, Antonia Navarro-Tejero and Jorge Diego Sánchez. (Newcastle upon Tyne: Cambridge Scholars Publishing, 2020, 313 pp. ISBN: 978-1-5275-4524-3).

Gurinder Chadha’s Viceroy House (2017) and Other Evictions: Transnational Connections of Past and Present Crises in Cinema

Sexuality and Evil: Lady Macbeth in the Indian film adaptations of Macbeth Maqbool and Veeram

Introduction

Believe Me, Do not Believe Me: Jhumpa Lahiri and the Royal Family of Oudh

From Punjab to Peggy’s Cove: Joyful Activism in Behind the Bhangra Boys (2019)

Violence and Silence: Ken McMullen’s Partition and Gurinder Chadha’s Viceroy’s House

The Making of the film Bridge (2016): The Alchemic Process of Transforming Self and Society

Bhavani Cinema

Revista Canaria de Estudios Ingleses, 2021, n.83

Snapshots of Indian Otherness in Aparna Sen’s Cinema

Kalighat

Me, Sarbajaya

Anti-caste Aesthet(h)ics in Contemporary Dalit Cinema: The Case of Asuran (2019)

"Chitthi aayi hai”: Diasporic Sensibilities, Memory and Nostalgia

New Narratives in the Indian LGBTIQ+ Community: An Interview with Film Maker Sukhdeep Singh

Browsing Revista Canaria de Estudios Ingleses Año 2021, Número 83 by issue date

Letting Fear Go: An Interview with Producer Paramita Banerjee ﻿

Origins and Evolution of Indian Cinema: A Caleidoscopic Vision of India ﻿

A Reading of Satyajit’s Pather Panchali and Agantuk as Subtexts of Fictional Ethnography ﻿

People’s cinema with people’s support: a review of the 7th Kolkata people’s film festival (Kolkata, India–January 2020) ﻿

Revolving Around India(s): Alternative Images, Emerging Perspectives. Edited by Juan Ignacio Oliva-Cruz, Antonia Navarro-Tejero and Jorge Diego Sánchez. (Newcastle upon Tyne: Cambridge Scholars Publishing, 2020, 313 pp. ISBN: 978-1-5275-4524-3). ﻿

Gurinder Chadha’s Viceroy House (2017) and Other Evictions: Transnational Connections of Past and Present Crises in Cinema ﻿

Sexuality and Evil: Lady Macbeth in the Indian film adaptations of Macbeth Maqbool and Veeram ﻿

Introduction ﻿

Believe Me, Do not Believe Me: Jhumpa Lahiri and the Royal Family of Oudh ﻿

From Punjab to Peggy’s Cove: Joyful Activism in Behind the Bhangra Boys (2019) ﻿

Violence and Silence: Ken McMullen’s Partition and Gurinder Chadha’s Viceroy’s House ﻿

The Making of the film Bridge (2016): The Alchemic Process of Transforming Self and Society ﻿

Bhavani Cinema ﻿

Revista Canaria de Estudios Ingleses, 2021, n.83 ﻿ ﻿

Snapshots of Indian Otherness in Aparna Sen’s Cinema ﻿

Kalighat ﻿

Me, Sarbajaya ﻿

Anti-caste Aesthet(h)ics in Contemporary Dalit Cinema: The Case of Asuran (2019) ﻿

"Chitthi aayi hai”: Diasporic Sensibilities, Memory and Nostalgia ﻿

New Narratives in the Indian LGBTIQ+ Community: An Interview with Film Maker Sukhdeep Singh ﻿

Letting Fear Go: An Interview with Producer Paramita Banerjee

Origins and Evolution of Indian Cinema: A Caleidoscopic Vision of India

A Reading of Satyajit’s Pather Panchali and Agantuk as Subtexts of Fictional Ethnography

People’s cinema with people’s support: a review of the 7th Kolkata people’s film festival (Kolkata, India–January 2020)

Revolving Around India(s): Alternative Images, Emerging Perspectives. Edited by Juan Ignacio Oliva-Cruz, Antonia Navarro-Tejero and Jorge Diego Sánchez. (Newcastle upon Tyne: Cambridge Scholars Publishing, 2020, 313 pp. ISBN: 978-1-5275-4524-3).

Gurinder Chadha’s Viceroy House (2017) and Other Evictions: Transnational Connections of Past and Present Crises in Cinema

Sexuality and Evil: Lady Macbeth in the Indian film adaptations of Macbeth Maqbool and Veeram

Introduction

Believe Me, Do not Believe Me: Jhumpa Lahiri and the Royal Family of Oudh

From Punjab to Peggy’s Cove: Joyful Activism in Behind the Bhangra Boys (2019)

Violence and Silence: Ken McMullen’s Partition and Gurinder Chadha’s Viceroy’s House

The Making of the film Bridge (2016): The Alchemic Process of Transforming Self and Society

Bhavani Cinema

Revista Canaria de Estudios Ingleses, 2021, n.83

Snapshots of Indian Otherness in Aparna Sen’s Cinema

Kalighat

Me, Sarbajaya

Anti-caste Aesthet(h)ics in Contemporary Dalit Cinema: The Case of Asuran (2019)

"Chitthi aayi hai”: Diasporic Sensibilities, Memory and Nostalgia

New Narratives in the Indian LGBTIQ+ Community: An Interview with Film Maker Sukhdeep Singh