Listar Revista Canaria de Estudios Ingleses Año 2002, Número 45 por fecha de publicación

Fuerzas de orden público, tribunales de justicia y chicanos: de la intimidación legal existente a la re-creación en la narrativa de Rudolfo Anaya

Cañero Serrano, Julio (2002)

The Controversy Over the University Multicultural Curriculum During the 1980s: The Pragmatist Polemics of Sidney Hook

Block, Avital H. (2002)

Caperucita reescrita: The Bloody Chamber, de Angela Carter, y Caperucita en Manhattan, de Carmen Martin Gaite

Morales Ladrón, Marisol (2002)

Margins and Centers on the Road of Displacement

González Acosta, Marta; Oliva Cruz, Juan Ignacio

(2002)

A Multidiciplinary Insight into the Literature in Exile of the Indian Sub¬ continent

González Acosta, Marta; Oliva Cruz, Juan Ignacio

(2002)

"Race Travel": Revisiting the Color Line in the Nineteenth Century

Tally, Justine (2002)

Asiáticas en Norteamérica: "A Wife's Story" de Bharati Mukherjee y "A Pair of Tickets" de Amy Tan

Blanco Outón, Cristina (2002)

New Perspectives on Cultural Memories and Postcolonial Theory

González Acosta, Marta; Oliva Cruz, Juan Ignacio

(2002)

Canada, Identity and Ethnicity at a Crossroads

González Acosta, Marta; Oliva Cruz, Juan Ignacio

(2002)

Un viaje al "corazón de las tinieblas": asimilación, reescritura y transculturalismo en The Intended, de David Dabydeen

Fernández Vázquez, José Santiago (2002)

(De)colonizing Colonized Identities: The Chicana Case

Oliva Cruz, Juan Ignacio

(2002)

Implicational Scales and NP Pronoun Heads

Expósito González, María de la Cruz (2002)

Class, Gender, Race and the Construction of Masculinity in Shyam Selvadurai's Funny Boy

González Acosta, Marta (2002)

Introduction: Class/Gender/Race in Postcolonial Literatures in English

Oliva Cruz, Juan Ignacio

(2002)

The Eye ofthe Beholder: Gazing the Exotic in the Newest Artistic Panorama

González Acosta, Marta; Oliva Cruz, Juan Ignacio

(2002)

Listar Revista Canaria de Estudios Ingleses Año 2002, Número 45 por fecha de publicación

"Glorie of Spayne": Juan Ruiz Through the Eyes of an Englishman

Myth, Ritual and Racial Identity in Paule Marshall's The Fisher King

Fuerzas de orden público, tribunales de justicia y chicanos: de la intimidación legal existente a la re-creación en la narrativa de Rudolfo Anaya

The Controversy Over the University Multicultural Curriculum During the 1980s: The Pragmatist Polemics of Sidney Hook

Caperucita reescrita: The Bloody Chamber, de Angela Carter, y Caperucita en Manhattan, de Carmen Martin Gaite

Margins and Centers on the Road of Displacement

A Multidiciplinary Insight into the Literature in Exile of the Indian Sub¬ continent

"Race Travel": Revisiting the Color Line in the Nineteenth Century

Asiáticas en Norteamérica: "A Wife's Story" de Bharati Mukherjee y "A Pair of Tickets" de Amy Tan

New Perspectives on Cultural Memories and Postcolonial Theory

Canada, Identity and Ethnicity at a Crossroads

Un viaje al "corazón de las tinieblas": asimilación, reescritura y transculturalismo en The Intended, de David Dabydeen

(De)colonizing Colonized Identities: The Chicana Case

Implicational Scales and NP Pronoun Heads

Class, Gender, Race and the Construction of Masculinity in Shyam Selvadurai's Funny Boy

Introduction: Class/Gender/Race in Postcolonial Literatures in English

The Eye ofthe Beholder: Gazing the Exotic in the Newest Artistic Panorama

The River as Border in Montserrat Fontes' First Confession

Crystal

Purdah and Power: Unveiling the Links

Listar Revista Canaria de Estudios Ingleses Año 2002, Número 45 por fecha de publicación

"Glorie of Spayne": Juan Ruiz Through the Eyes of an Englishman ﻿

Myth, Ritual and Racial Identity in Paule Marshall's The Fisher King ﻿

Fuerzas de orden público, tribunales de justicia y chicanos: de la intimidación legal existente a la re-creación en la narrativa de Rudolfo Anaya ﻿

The Controversy Over the University Multicultural Curriculum During the 1980s: The Pragmatist Polemics of Sidney Hook ﻿

Caperucita reescrita: The Bloody Chamber, de Angela Carter, y Caperucita en Manhattan, de Carmen Martin Gaite ﻿

Margins and Centers on the Road of Displacement ﻿

A Multidiciplinary Insight into the Literature in Exile of the Indian Sub¬ continent ﻿

"Race Travel": Revisiting the Color Line in the Nineteenth Century ﻿

Asiáticas en Norteamérica: "A Wife's Story" de Bharati Mukherjee y "A Pair of Tickets" de Amy Tan ﻿

New Perspectives on Cultural Memories and Postcolonial Theory ﻿

Canada, Identity and Ethnicity at a Crossroads ﻿

Un viaje al "corazón de las tinieblas": asimilación, reescritura y transculturalismo en The Intended, de David Dabydeen ﻿

(De)colonizing Colonized Identities: The Chicana Case ﻿

Implicational Scales and NP Pronoun Heads ﻿

Class, Gender, Race and the Construction of Masculinity in Shyam Selvadurai's Funny Boy ﻿

Introduction: Class/Gender/Race in Postcolonial Literatures in English ﻿

The Eye ofthe Beholder: Gazing the Exotic in the Newest Artistic Panorama ﻿

The River as Border in Montserrat Fontes' First Confession ﻿

Crystal ﻿

Purdah and Power: Unveiling the Links ﻿

"Glorie of Spayne": Juan Ruiz Through the Eyes of an Englishman

Myth, Ritual and Racial Identity in Paule Marshall's The Fisher King

Fuerzas de orden público, tribunales de justicia y chicanos: de la intimidación legal existente a la re-creación en la narrativa de Rudolfo Anaya

The Controversy Over the University Multicultural Curriculum During the 1980s: The Pragmatist Polemics of Sidney Hook

Caperucita reescrita: The Bloody Chamber, de Angela Carter, y Caperucita en Manhattan, de Carmen Martin Gaite

Margins and Centers on the Road of Displacement

A Multidiciplinary Insight into the Literature in Exile of the Indian Sub¬ continent

"Race Travel": Revisiting the Color Line in the Nineteenth Century

Asiáticas en Norteamérica: "A Wife's Story" de Bharati Mukherjee y "A Pair of Tickets" de Amy Tan

New Perspectives on Cultural Memories and Postcolonial Theory

Canada, Identity and Ethnicity at a Crossroads

Un viaje al "corazón de las tinieblas": asimilación, reescritura y transculturalismo en The Intended, de David Dabydeen

(De)colonizing Colonized Identities: The Chicana Case

Implicational Scales and NP Pronoun Heads

Class, Gender, Race and the Construction of Masculinity in Shyam Selvadurai's Funny Boy

Introduction: Class/Gender/Race in Postcolonial Literatures in English

The Eye ofthe Beholder: Gazing the Exotic in the Newest Artistic Panorama

The River as Border in Montserrat Fontes' First Confession

Crystal

Purdah and Power: Unveiling the Links