dc.contributor.author | González Díaz, Isabel | |
dc.date.accessioned | 2022-11-14T10:18:56Z | |
dc.date.available | 2022-11-14T10:18:56Z | |
dc.date.issued | 1996 | |
dc.identifier.issn | e-2530-8335 | |
dc.identifier.uri | http://riull.ull.es/xmlui/handle/915/30611 | |
dc.language.iso | en | es_ES |
dc.relation.ispartofseries | Revista Canaria de Estudios Ingleses Año 1996, n. 32-33, pp. 93-106; | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internacional | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.title | Whose Chicago Anyway? 'Aesthetics' vs. 'Propaganda' in Upton Sinclair's The Jungle | en_EN |
dc.type | info:eu-repo/semantics/article | |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | es_ES |
dc.type.hasVersion | info:eu-repo/semantics/publishedVersion | es_ES |