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Pilgrimage: Hanif Kureishi's The Buddha of Suburbia
dc.contributor.author | Naranjo Acosta, Isaías Leopoldo | |
dc.date.accessioned | 2022-11-18T09:21:15Z | |
dc.date.available | 2022-11-18T09:21:15Z | |
dc.date.issued | 1994 | |
dc.identifier.issn | e-2530-8335 | |
dc.identifier.uri | http://riull.ull.es/xmlui/handle/915/30695 | |
dc.description.abstract | Hanif Kureishi’s The Buddha of Suburbia fulfills two basic requirements. On the one hand, the novel works as a caleidoscope of British society at the end of the XXth century. It lets us have a look at such aspects racist violence, the birth and development of punk music, or the situation of theatre in London by the end of the 1970s, just to name a few subjects Kureishi deals with. On the other hand, The Buddha of Suburbia is an account of Karim Amir’s pilgrimage to find himself, bearing in mind he is a half-bred born in a split-up family in the middle of a society that is in a crisis. | en_EN |
dc.language.iso | en | es_ES |
dc.relation.ispartofseries | Revista Canaria de Estudios Ingleses Año 1994, n. 28, pp. 53-63; | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internacional | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.title | Pilgrimage: Hanif Kureishi's The Buddha of Suburbia | en_EN |
dc.type | info:eu-repo/semantics/article | |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | es_ES |
dc.type.hasVersion | info:eu-repo/semantics/publishedVersion | es_ES |