"Y'All Need To Play Songs for Your People": (P)reservation versus Assimilation and the Politics of White-Indian Encounter in Sherman Alexie's Fiction
Author
Keegan, JamesDate
1999Abstract
Sherman Alexie very deftly raises some of the complex issues related
to the interplay of cultural assimilation and cultural preservation
—or, more aptly, reservation— and he does so by way of the central
theme of definition. After all, what makes for assimilation if not an
agreement to assign the same meanings —the same definitions— to
particular places and events? What makes for reservation but an unwillingness
to accept or to offer alternative definitions, or, considering
the externally enforced nature of the reservation for native Americans,
a hegemonic disavowal of the viability of a particular set of definitions
that does not match those maintained by the hegemony?