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dc.contributor.authorMartínez Victorio, Luis Javier
dc.date.accessioned2023-10-03T09:10:34Z
dc.date.available2023-10-03T09:10:34Z
dc.date.issued1987
dc.identifier.issne-2530-8335
dc.identifier.urihttp://riull.ull.es/xmlui/handle/915/34114
dc.description.abstractOscar Wilde remained for a long while on the frontier of modernity. A romantic projection of the author's own self, which is made evident in his literary production, prevented him from crossing that frontier until he wrote his last comedy. It is on this basis that I study the influence of Wilde's dandiacal attitudes on his society comedies, and intend to give an account of the positive process leading from the rather incongruous Lady Windermere's Fan, A Woman of No Importance and An Ideal Husband towards that lucid portrait of dandyism entitled The Importance of Being Earnest. It is also the aim of this article to bring out the peculiar relationship existing between dandyism and bourgeois society.en_EN
dc.language.isoeses_ES
dc.publisherUniversidad de La Laguna. Servicio de Publicacioneses_ES
dc.relation.ispartofseriesRevista Canaria de Estudios Ingleses Año 1987, n. 15, pp. 53-66;
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.titleLa proyección del dandysmo de Wilde en sus comediases_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses_ES
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersiones_ES


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